Regents' Professor of Spanish and Women and Gender Studies
University of Washington, 1958‑61, BA in Spanish
University of Washington, 1961‑63, MA in Spanish and Romance Linguistics
University of Washington, 1963‑64, PhD in Romance Languages and Literature
Positions Held:
University of Washington, 1961‑64, Teaching Assistant in Spanish, Research Associate, Instructor, etc.
Fresno State College, Summer 1962, Visiting Instructor
Vanderbilt University, Summer 1964, Visiting Assistant Professor
University of Missouri, 1964‑66, Assistant Professor
Arizona State University, 1966‑2020,
Assistant Professor, Associate Professor, Professor (1970‑2020),
Instituto
del Profesorado Superior en Lenguas Vivas, Buenos Aires; Universidad Nacional
de La Plata, 1967, Fulbright Professor of Linguistics Instituto del Profesorado
Superior en Lenguas Vivas, Instituto Nacional del Profesorado Superior,
Universidad de Buenos Aires, 1973, Fulbright Professor of Linguistics
Universidad Católica de Chile, 1975, Inter‑American Development Bank
Professor of Linguistics
Universidade Federal do Paraná, 1985, Fulbright Professor of English and
Literary Theory
Universidad Católica del Uruguay, 1988, Fulbright Professor of
Comparative Literature
University of California at Los Angeles, 1989, Visiting Professor of
Spanish
University of Arizona, Summer Program in Guadalajara, 1989, Visiting
Professor of Spanish
Chair, Department of Languages and Literatures, Arizona State
University, 1998-2001
University of California at Riverside, 2003, Visiting Professor of
Spanish
Universidad Nacional de Río Cuarto, 2003, Fulbright Professor of
American Literature
Universidad Nacional de Córdoba, 2003 Fulbright Professor of American
Literature
Florida State University,
Ednagene and Jordan Davidson Eminent Scholar in the Humanities, Spring 2009
Editor, Rocky Mountain Review, 1980-84;
Editor, Chasqui; revista de literatura latinoamericana, 1995-.
Associate Editor, Hispania, 2013-.
Member, editorial boards of Hispanic Journal; Diecinueva; Letr@s hispanas; Torre de papel; Escena latinoamericana; Revista de estudios colombianos; Revista monográfica; Significação, revista brasileira de semiótica; Aletria; revista de estudos de literatura; Caribe; Revsita de letr@s; Decimonónica; Revista de estudios de cultura popular en el MERCOSUR; Territorio teatral; revista digital; Border-lines; Karpa; Bagoas; Journal of Gay Studies; Cinevisto; Journal of Hispanic and Lusophone Cinemas; Desde el sur; Transmodernity; Journal of Peripheral Cultural Production of the Luso-Hispanic World; Studies in Latin American Popular Culture; Literatura e autoritarismo; Textos híbridos; Magriberia: revsita del Centro de Investigaciones Ibericas e Iberoamericanas; Journal of Popular Romance Studies; Argusa; Letras hispanas; Studies in Twentieth & Twenty-First Century Literature; Gramma; Expressão; Romance Notes; Revista interin: revista do Programa de Pós-Graduação em Comunicação e Linguagens [Universidade Tuiuti do Paraná]; MARLA [monograph series, ASU Center for Medieval and Renaissance Studies]; magofagia [Universidad Nacional de Rosario]; Transamerican Film and Literature; Serie monográfico del Centro de Estudios Críticos de Literatura Argentina; Revista literatura em debate.
Past member, editorial boards of
Rocky Mountain Review; Chasqui; revista de literatura latoamericana;
Hispania, Latin American Literary Review, Latin American
Research Review, Nueva narrativa hispanoamericana; The Velvet
Light Trap.
ACADEMIC/UNIVERSITY PRESS BOOKS AUTHORED BY DAVID WILLIAM FOSTER
El Eternauta, Daytripper, and Beyond: Graphic Narrative in Argentina and
Brazil. Austin: U Texas P, 2016. 158 pp.
Argentine, Mexican, and Guatemalan Photography: Feminist, Queer, and
Post-Masculinist Perspectives. Austin: U Texas P, 2014. 197
pp.
Glimpses of Phoenix: The Desert
Metropolis in Written and Visual Media. Jefferson, N.C.: McFarland Publishing, 2013. 201
pp.
Latin American Documentary
Filmmaking: Major texts. Tucson, U of Arizona P, 2013. 214 pp.
São Paulo: Perspectives on the
City and Cultural Production. Gainesville: UP of Florida,
2011. 197 pp.
Ensayos sobre culturas homoeróticas latinoamericanas. CIudad Juárez: Universidad
Nacional Autonoma de Ciudad Juarez, 2009. 281 pp.
Urban Photography in Argentina;
Nine Artists of the Post-Dictatorship Era.
Jefferson, NC: McFarland Publishing, 2007. 232 pp.
El ambiente nuestro:
Chicano/Latino Homoerotic Writing. Tempe: Bilingual
Press/Editorial Bilingüe, 2006. 201 pp.
Queers Issues in Contemporary
Latin American Cinema. Austin: University of Texas
Press, 2003. 186 pp. Preliminary version of chapter on Fresa y chocolate
appeared as “Negociaciones queer en Fresa y chocolate: ideología y
homoerotismo.” Revista iberoamericana 205 (2003): 985-99. Preliminary version
of chapter on Plata quemada appeared as “Plata quemada: Social
Violence and Gay Idyll.” Bridging Continents; Cinematic and Literary
Representations of Spanish and Latin American Themes. Ed. Nora Glickman and Alejandro Varderi. Tempe:
Chasqui; revista de literatura latinoamericnaa, Special Issue No. 2, 2005. 145-50.
Mexico City in Contemporary
Mexican Cinema. Austin: University of Texas
Press, 2002. 177 pp.
Producción cultural e identidades homoeróticas: teoría y
aplicaciones. San José:
Editorial de la Universidad de Costa Rica, 1999. 291 pp.
Gender and Society in
Contemporary Brazilian Cinema. Austin: University of Texas
Press, 1999. 169 pp.
The Writer's Reference Guide to
Spanish. Austin: University of Texas Press, 1999. 274
pp. With Daniel Altamiranda and Carmen de Urioste.
Culture and Customs of Argentina. Westport, Conn.: Greenwood Press, 1998. With Melissa Fitch Lockhart
and Darrell B. Lockhart. 173 pp.
A Funny Dirty Little War/No habrá más penas ni olvido. Trowbrdige,
Great Britain: Flicks Books, 1998. 55 pp.
Buenos Aires: Perspectives on the
City and Cultural Production. Gainesville: UP of Florida,
1998. 288 pp. An earlier version of one chapter was reprinted as “Tango, Buenos
Aires, Borges: Cultural Production and Urban Sexual Regulation.” Imagination
beyond Nation; Latin American Popular Culture. Eds. Eva P. Bueno and Terry
Caesar. Pittsburgh: University of Pittsburgh Press, 1998. 167-92.
Espacio escénico y lenguaje. Buenos Aires: Galerna, 1998. 123 pp.
Sexual Textualities; Essays on
Queer/ing Latin American Writing. Austin: University of Texas
Press, 1997. 180 pp. An earlier version of one chapter was reprinted as “Evita,
Juan José Sebreli y género.” Revista canadiense de estudios hispánicos
23.3 (1999): 529-37. It also appeared in English as “Evita Perón, Juan José
Sebreli, and Gender.” Reading and Writing the Ambiente. Ed. Susana
Chávez-Silverman and Librada Hernández. Madison: University of Wisconsin Press,
2000. 218-38.
Chapter on Matias Montes Huidobro reproduced as “Exilio y la representación
de la identidad gay.” Matías Montes Huidobro: su obsesión por la escritura.
Miami: Ediciiones Universal, 2007. 159-67.
Violence in Argentine Literature;
Cultural Responses to Tyranny. Columbia: University of
Missouri Press, 1995. 208 pp. The chapter entitled “Of Power and Virgins:
Alejandra Pizarnik's La condesa sangrienta” was reprinted in Structures of
Power; Essays on Twentieth-Century Spanish-American Fiction. Terry J.
Peavler and Peter Standish, eds. (Albany: State University of New York Press,
1996): 145-58.
Cultural Diversity in Latin
American Literature. Albuquerque: University of New
Mexico Press, 1994. 178 pp.
Fragment of discussion of Glauco Mattoso reprinted, in Portuguese, as “À guisa
de apresentação.” Glauco Mattoso, Manual do podólatra amador; aventuras
& leituras de um tarado por pés. Ed. rev. e ampl. São Paulo: All
Books, 2006. 11-13.
Contemporary Argentine Cinema. Columbia: University of Missouri Press, 1992. 164 pp. Extracts from
pp. 1-3, 5-13, 150-54 appear in New Latin American Cinema. Ed. Michael
T. Martin. Detroit: Wayne State University Press. 2.464-79.
Mexican Literature; a
Bibliography of Secondary Sources. 2nd ed. enlarged and updated.
Metuchen, N.J.: Scarecrow Press, 1992. 686 pp.
Gay and Lesbian Themes in Latin
American Writing. Austin: University of Texas
Press, 1991. 178 pp.
Brazilian Literature; a Research
Bibliography. New York: Garland Publishing,
1990. 426 pp. With Walter Rela.
The Argentine Generation of 1880:
Literature, Ideology, and Cultural Texts.
Columbia: University of Missouri Press, 1990. 204 pp. The section on Eduardo
Gutierrez was reprinted in Twentieth Century Literary Criticism: Topics
Volume. No. 158. Ed. Thomas J. Schoenberg. Detroit: Tompson-Gale, 2005.
121-35.
From Mafalda to Los Supermachos;
Latin American Graphic Humor as Popular Culture. Boulder: Lynne Rienner, 1989. 119 pp.
Social Realism in the Argentine
Narrative. Chapel Hill: University of
North Carolina at Chapel Hill, North Carolina Studies in the Romance Languages
and Literatures, 1986. 159 pp.
The Argentine Teatro
Independiente, 1930‑1955. York, S.C.: Spanish Literature
Publishing Company, 1986. 143 pp.
Alternate Voices in the
Contemporary Latin American Narrative. Columbia: University of
Missouri Press, 1985. 163 pp.
Cuban Literature: A Research Guide. Boston:
G. K. Hall, 1984. 576 pp.
Estudios sobre teatro mexicano contemporáneo; semiología
de la competencia teatral. New York:
Verlag Peter Lang, 1984. 149 pp. “Verdad vs. ficción en El juicio de
Vicente Leñero: una tensión productiva” reprinted in Lecturas desde fuera;
ensayos sobre la obra de Vicente Leñero. Kirsten
F. Nigro, comp. México: Ediciones El Milagro, 1997. 187-207.
Jorge Luis Borges: An Annotated
Primary and Secondary Bibliography. New York: Garland, 1984. 328 pp.
Para una lectura semiótica del ensayo latinoamericano;
textos representativos. Madrid:
José Porrúa Turanzas, 1983. 132 pp.
Argentine Literature: A Research Guide. 2nd ed., revised and expanded. New York: Garland, 1982. 778
pp.
Peruvian Literature: A Bibliography
of Secondary Sources. Westport, Conn.: Greenwood
Press, 1981. 324 pp.
Puerto Rican Literature: A
Bibliography of Secondary Sources. Westport, Conn.: Greenwood
Press, 1981. 232 pp.
Mexican Literature: A
Bibliography of Secondary Sources. Metuchen, N.J.: Scarecrow
Press, 1981. 386 pp.
Studies in the Contemporary
Spanish‑American Short Story. Columbia: University of Missouri
Press, 1979. 126 pp. A fragment reproduced as “The Double Inscription of
the Narrataire in `Los funerales de la Mamá Grande.'“ Critical
Essays on Gabriel García Márquez. Ed. George R. McMurray. Boston: G. K.
Hall, 1987. 102-13.
Augusto Roa Bastos. New York: Twayne, 1978. 133 pp.
Chilean Literature, a Working
Bibliography of Secondary Sources. Boston: G. K. Hall, 1978. 236
pp.
Manual of Hispanic Bibliography. 2nd ed., revised and expanded. New York: Garland, 1977.
329 pp. With Virginia Ramos Foster.
La nueva narrativa hispanoamericana, bibliografía. Buenos Aires: Casa Pardo, 1976. 226 pp. With
Horacio Jorge Becco, first author.
Twentieth Century Spanish‑American
Novel, a Bibliography. Metuchen, N.J.: Scarecrow
Press, 1975. 234 pp.
Currents in the Contemporary
Argentine Novel. Columbia: University of Missouri
Press, 1975. 155 pp.
Luis de Góngora. New York: Twayne, 1973. 183 pp.
With Virginia Ramos Foster.
Unamuno and the Novel as
Expressionistic Conceit. Hato Rey, PR: Inter-American
University Press, 1973. 52 pp.
Haiku in Western Languages: An
Annotated Bibliography (with Some Reference to Senryu). Metuchen, N.J.: Scarecrow Press, 1972. 133 pp. With Gary L. Brower,
first author.
The Early Spanish Ballad. New York: Twayne, 1971 [i.e.,
1972]. 220 pp.
The Marqués de Santillana. New York: Twayne, 1971. 168 pp.
Christian Allegory in Early
Hispanic Poetry. Lexington: The University Press
of Kentucky, 1971. 145 pp.
Research Guide to Argentine
Literature. Metuchen, N.J.: Scarecrow
Press, 1970. 146 pp. With Virginia Ramos Foster.
Manual of Hispanic Bibliography:
An Annotated Handbook of Basic Sources. Seattle: University of Washington
Press, 1970. 206 pp. With Virginia Ramos Foster.
The Myth of Paraguay in the
Fiction of Augusto Roa Bastos. Chapel Hill: University of
North Carolina Press, 1969. 88 pp. UNCSRLL, #80.
Forms of the Novel in the Work of
Camilo José Cela. Columbia: University of
Missouri Press, 1967. 185 pp.
ASU BOOK AUTHORED BY DAVID WILLIAM FOSTER
Handbook of Latin American Literature. Routledge Revivals ed. [orig. published 1987, with a 2nd ed. in 1992]. New York: Routledge/Taylor and Francis Group, 2014. 799 pp.
Excluidos e marginalizados na literatura: uma estética dos oprimidos. Ed. David William Foster, Lizandro Carlos Clegari e Ricardo André Ferreira Martins. Santa Maria: Ed. da UFSM, 2013. 384p.
Visual Communication: Urban Representations in Latin
America. Comunicación visual:
representaciones urbanas en América Latina. Comunicação visual: representações urbanas na América
Latina. Ed.
David William Foster and Denize Correa Araujo. Porto Alegre: editoraplus.com, 2009. 401 pp. E-book online.
Latin American Jewish Cultural Production. Nashville, Vanderbilt UP, 2009. 238 pp.
Teens in Argentina. By Danielle Smith-Llera. Content Advisor: David William Foster.
Minneapolis: Compass Point Books, 2009. 95 pp.
Latin American Urban Cultural
Production. Minneapolis: University of
Minnesota, Hispanic Issues, 2008. 188 pp. online:
http://spanport.cla.umn/publications/HispanicIssues/Online_2008.html
Bibliography in Literature,
Folklore, Language and Linguistics; Essays on the Status of the Field. Jefferson, N.C.: McFarland, 2003. 164 pp. James R. Kelley, second
editor.
Spanish Literature: 1700 to the
Present. New York: Garland Publishing, 2000. 382 pp.
With Daniel Altamiranda and Carmen de Urioste.
Spanish Literature: From Origins
to 1700. New York: Garland Publishing, 2000. 439 pp.
With Daniel Altamiranda and Carmen de Urioste.
Spanish Literature: Current
Debates on Hispanism. New York: Garland Publishing,
2000. 354 pp. With Daniel Altamiranda and Carmen de Urioste.
Notable Twentieth-Century Latin
American Women: A Biographical Dictionary.
Westport, Conn.: Greenwood Press, 2000. 324 pp. With Cynthia Margarita
Tompkins, first author.
Spanish Writers on Gay and
Lesbian Themes; A Bio-Critical Sourcebook.
Westport, Conn.: Greenwood Press, 1999. 212 pp.
Chicano/Latino Homoerotic
Identities. New York: Garland Publishing,
1999. 367 pp.
Theoretical Debates in Spanish
American Literature. New York: Garland Publishing,
1997. 428 pp. With Daniel Altamiranda.
Writers of the Spanish Colonial
Period. New York: Garland Publishing, 1997. 436 pp.
With Daniel Altamiranda.
From Romanticism to Modernismo in
Latin America. New York: Garland Publishing,
1997. 431 pp. With Daniel Altamiranda.
Twentieth-Century Spanish
American Literature to 1960. New York: Garland Publishing,
1997. 338 pp. With Daniel Altamiranda.
Twentieth-Century Spanish
American Literature Since 1960. New York: Garland Publishing,
1997. 385 pp. With Daniel Altamiranda.
Literatura chicana, 1965-1995; An
Anthology in Spanish, English, and Caló. New
York: Garland Publishing, 1997. 487 pp. Co-edited with Manuel de Jesús
Hernández-Gutiérrez, first author.
Bodies and Biases: Sexualities in
Hispanic Cultures and Literatures. Minneapolis: University of
Minnesota Press, 1996. 440 pp. With Roberto Reis.
Literatura española; una
antología. New York: Garland Publishing,
1995. 2v. (887 + 622 pp.). With Daniel
Altamiranda, Gustavo Geirola, and Carmen de Urioste.
Latin American Writers on Gay and
Lesbian Themes; A Bio-Critical Sourcebook.
Westport, Conn.: Greenwood Press, 1994. 495 pp.
Mexican Literature: A History. Austin: University of Texas Press, 1994. 458 pp.
Literatura hispanoamericana: una antología. New York: Garland Publishing,
1994. 1201 pp.
Handbook of Latin American Literature. Second
edition. New York: Garland, 1992. 799 pp.
Handbook of Latin American Literature. New
York: Garland, 1987. 608 pp.
Marqués de Santillana. Poesía
(selección). Madrid: Taurus, 1982. 209 pp.
Sourcebook of Hispanic Culture in
the United States. Chicago: American Library
Association, 1982. 352 pp.
Modern Latin American Literature. New York: Frederick Ungar, 1975. 2 vols. With Virginia Ramos Foster.
Research on Language Teaching. Revised ed. Seattle: University of Washington Press, 1965. 373 pp.
With H.L. Nostrand, first author, and Ben Christiansen.
Research on Language Teaching: An
Annotated International Bibliography for 1945‑1961. Seattle: University of Washington Press, 1965. 373 pp. With H. L.
Nostrand, first author, et al.
ASU BOOKS EDITED BY DAVID WILLIAM FOSTER
The Redemocratization of Argentine Culture, 1983 and Beyond; an International Research Symposium. Tempe: Arizona State University, Center for Latin American Studies, 1989. 63 pp.
Hispanics and the Humanities in
the Southwest: A Directory of Resources. Tempe:
Arizona State University, Center for Latin American Studies, 1983. 327 pp.
With Francisco Arturo Rosales, first author.
A Dictionary of Contemporary
Brazilian Authors. Tempe: Arizona State University,
Center for Latin American Studies, 1982. 152 pp. With Roberto Reis.
Latin American Government Leaders. 2nd ed. Tempe: Arizona State University, Center for Latin
American Studies, 1975. 135 pp.
A Dictionary of Contemporary
Latin American Authors. Tempe: Arizona State University,
Center for Latin American Studies, 1975. 110 pp.
TRANSLATIONS BY DAVID WILLIAM FOSTER
(literary translations are marked by *)
*Dante Medina, “Anita and Mariano.” ViceVersa (febrero 15, 2016). Online; accessed Feb. 15, 2016 (www.viceversa-mag.com/anita-and-mariano/).
*Dante
Medina, “Abortion as a Strategy.” ViceVersa
(febrero 15, 2016). Online; accessed Feb. 15, 2016 (www.viceversa-mag.com/abortion-as-a-strategy/).
*Fabián Soberón, “April 27, 1933.” [opening fragment]. ViceVersa (enero 25, 2016). Online; accessed
Feb. 10, 2016 (www.viceversa-mag.com/category/in-english).
*Fabián Soberón, Mother [opening fragment]. ViceVersa
(octubre 12, 2015). Online; accessed Nov. 17, 2015 (www.viceversa-mag.com/mother/)
Martínez de Hoz. Dir. Mairano Aiello. Argentina:
Macanudo Films/Mariano Aiello, 2015. Dur. ¿??. Translation of
subtitles by Foster
*Lucía Puenzo. The German Doctor.
London: Hesperus Press, 2014. 208p.
*José Pablo Feinmann. Timote. Lubbock: Texas Tech UP, 2012. 216
pp.
*Moacyr Scliar. The War in Bom Fim. Lubbock: Texas Tech UP, 2010.
127 pp.
*Lucía Puenzo. The Fish Child.
Lubbock: Texas Tech UP, 2010. 161 pp.
Awka Liwen. Dir. Mariano Aiello and Kristina Hille. Argentina:
Macanudo Films/Mariano Aiello, 2010. Dur. 77 min. Translation of
subtitles and connecting texts by Foster.
*Rule, Jane.
“Un hombre muy bueno [A Perfectly Nice Gentleman].” Zona Moebius 5
(marzo 07): 8 pages. Online:
http://.zonamoebius.com/00002007/marzo07/letraviva/jane_rule.htm
Brodsky, Marcelo
et al. Memory under Construction/Memoria en construcción: el debate sobre la
ESMA. Buenos Aires: la marca editora, 2005. 285 pp.
*Queirós,
Eça de. The Gentile Miracle. London: Shinsken, 2003. no pag.
*Reinaldo Bragado Bretaña, Night
Watch. Tempe: Bilingual P, 2003. 141pp.
*Daniel
Torres, “Conversación con Aurelia.” International Poetry Review 28.2 (Fall 2002): 40-41.
*Bruce Coville, “¿Seré azul?” Arena; suplemento cultural de Excelsior 4.4; 158 (10 de febrero 2002):
8-10.
*Hilda Hilst, “Glittering Nothing.”
Urban Voices: Contemporary Short Stories from Brazil. Ed., with an
introd. and notes by Cristina Ferreira-Pinto. Lanham, Del.: University Press of
America, 1999. 20-32.
*Ana María Shua, “House of
Gheishas.” Rocky Mountain Review of Language and Literature 53.1 (1999):
91-93. also http://rmmla.wsu.edu/ereview/53.1/articles/foster.asp
Romero, José Luis. Latin
America and Its Cities. [uncredited translation]. Washington, D.C.:
Organization of American States, 1999. 308 pp.
*Eduardo Mendicutti, “The Look-Alikes
[Los parecidos].” The Rocky Mountain Review of Language and Literature
52.1 (1998): 53-57.
*Outras praias: 13 poetas brasileiros emergentes/Other
Shores: 13 Emerging Brazilian Poets. São aulo: Iluminuras, 1998. 293 pp.
Coordenação editorial das traduções/Translation editors: Charles A. Perrone,
David William Foster, Ligia Vieira Cesar.
*Federico García Lorca, poems from Sonetos de amor
oscuro. The Columbia Anthology of Gay Literature. Ed. Byrne R. S.
Fone. New York: Columbia U P, 1998. 483-85.
*Julián del
Casal, “El amante de torturas/The Torture Lover.” The Columbia Anthology of Gay Literature. Ed. Byrne R. S. Fone. New York: Columbia U P, 1998. 511-14.
*Ana María Shua, Patient.
Pittsburgh: Latin American Literary review Press, 1997. 122 pp.
*Néstor
Perlongher, “Corpses [Cadáveres].” Torre de papel 7.2 (1997): 66-113.
With Daniel Altamiranda.
*Miguel Méndez, From Labor to
Letters; A Novel Autobiography. Tempe: Bilingual Press/Editorial Bilingüe,
1997. 114 pp.
*John Rechy,
“Carla: rosas en el infierno.” Plural 276 (1994): 34-43.
*John Rechy,
El día milagroso de Amalia Gómez. Tempe, 1994. With Guillermo Núñez
Noriega. 135 pp. Translation commissioned by Human
Pursuits, pursuant to a grant from the National Endowment for the Humanities.
*Miguel Méndez, Pilgrims in
Aztlán. Tempe: Bilingual Press/Editorial Bilingüe, 1992. 178 pp. An extract
appears in Herencia; The Anthology of Hispanic Literature of the United
States. Ed. Nicolás Kanellos. New York: Oxford UP, 2002. 199-204.
*Enrique Medina, Las tumbas (The Tombs). New York: Garland, 1993.
319 pp.
*Charlotte
Perkins Gilman, “El papel amarillo.” Plural; revista cultural de Excélsior
252 (1992): 84-91.
*Aristeo Brito, The Devil in
Texas; El diablo en Texas. Tempe: Bilingual Press/Editorial Bilingüe,
1990. 212 pp.
*Miguel
Méndez M., The Dream of Santa María de las Piedras. Tempe: Bilingual Press, 1989.
194 pp.
*Enrique Medina, “The Assassins.” The Literary Review 32.4 (Summer 1989): 535-47.
Special issue on Argentine Writing of the Eighties.
Oscar Rivera Rodas. “Bolivia.” Handbook
of Latin American Literature. Ed. David William Foster. New York:
Garland, 1987. 47‑70.
Roberto Reis. “Brazil.” Handbook
of Latin American Literature. Ed. David William Foster. New York:
Garland, 1987. 71‑99.
René Jara. “Chile.” Handbook
of Latin American Literature. Ed. David William Foster. New York: Garland,
1987. 101‑52.
Matías Montes Huidobro. “Cuba.” Handbook
of Latin American Literature. Ed. David William Foster. New York:
Garland, 1987. 203‑45.
Maximilien Laroche. “Haiti.” Handbook
of Latin American Literature. Ed. David William Foster. New York:
Garland, 1987. 307‑20.
*Marcos Aguinis. “Hopeful Letter
to a General: A Fragment.” The Massachusetts Review 27.3-4 (1986): 712‑721.
*Enrique Medina. The Duke. London: Zed Books, 1985. 120 pp.
*Rafael Arévalo Martínez. “`Old people'.” Mele 28 (1974): no pag.
*Jorge Carrera Andrade. “Six microgramas.”
Mele 24 (1973): no pag.
ACADEMIC ARTICLES AUTHORED BY DAVID WILLIAM FOSTER
(listed in reverse chronological order)
“Queer Spanish, Queer Portuguese:
A Series of Research Proposals.” Beyond
Tordesillas: New Approaches to Comparative Luso-Hispanic
Studies. Ed. Robert Patrick Newcomb and Richard A. Gordon. Columbus: Ohio State
UP, 2017. 54-63.
“La ley del ranchero de Hubo [sic, Hugo] Salcedo (Jalisco, México, 1964); raíces autóctonos de lo
queer en el teatro provinciano.” Territorio
teatral 15 (2007): 3 pp. http://www.territorio.teatral.ar
“Jorge
Manrique: um novelar queer colombiano.” Revista
de estúdios colombianos 49 (2017): 8-16.
“On Photography as Inflationary
Art.” Hispanic Issues On Line: Debates
Vol 8: A Polemical Comparison to
Medialogies: Reading Reality in the Age of Inflationary Media. Ed. Bradley
J. Nelson and Julio Baena. Minneapolis:
University of Minnesota, 2017. 29-40.
https://cla.umn.edu/sites/cla.umn.edu/files/hiold_08_02_foster.pdf
“Nuevas consideraciones
sobre las narrativa en novela y cine de la dictadura argentina.” Ditaduras revisitadas:
cartografías, memorias e representações audiovisuais. Ed. Denize Correa Araujo, Eduardo Victorio
Morettin e Vítor Reia-Baptista. Faro, Port.: CIAC/Universidade do Algarve,
2016. 152-70. ISBN 9789-8988-5901-3
“Homossexualismo:
sexualidade e valor”, de Samuel Rawet—um texto fundador da teoria queer
brasileira.” Cadernos de língua e
literatura hebraica no. 14 (2016): 199-208. Also Interalia 12 (2017): 212-21.
“Metateatro judío, metateatro lésbico:
versions del Der Got fun Nekome, de Sholem
Asch.” Territorio teatral: revista
digital no. 14 (diciembre 2016). http://territorio
teatral.org.ar
“Caridad Svich: nuevos códigos del
teatro latino en USA.” Caribe 17.1-2 (2014-15): 47-54.
“When the Day is Lost: Gilbert Hernández’s Julio’s Day.” Border-lines 9 (2016): 54-67.
“Reafirmaciones sobre lo queer
y el teatro.” Gestos No. 62 (2015): 105-11.
“The
Nation Apocalyptic: Rape in Esteban Echeverría’s Hybrid Text ‘El matadero’.” Textos híbridos 4 (2015): 12 pp.
“Teaching Brazil and the Boom.” Teaching the Latin American Boom. Ed.
Lucille Kerr and Alejandro Herrero-Olaizola. New York: Modern Language
Association of America, 2015. 137-46.
“El punctum
afectivo: Kawésquar, hijos de la mujer
sol de Paz Errázuriz.” Verbum et lingua 5 (2015): 92-102.
“Lo contemporáneo como inmersión:
sobre el ser argentino.” Cronopio 55 (2014). Online:
http://www.revistacronopio.com/?cat=779
“The Unbearable Weight of Being
in Daniel Galera and Rafael Coutinho’s Cachalote.”
Critical Insights: Magical Realism.
Ed. Ignacio López-Calvo. Amenia, N.Y.: Salem Press, Grey Hous Publishing, 2014.
131-45.
“Carmen Miranda as Cultural Icon.”
Latin American Icons: Fame Across
Borders. Ed. Dianna C. Niebylski and Patrick O’Connor. Nashville: Vanderbilt
UP, 2014. 117-24.
“María Novaro: Feminist
Filmmaking as Public Voice.” Mexican
Public Intellectuals. Ed. Debra A. Castillo and Stuart A. Day. New York:
Palgrave Macmillan, 2014. 181-95.
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“Marco
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“Cultural Re-Visions of the
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“News Bulletins from the Gender
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el frente.” Ámbitos feministas
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“Masculinity as Privileged Human
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“Latino Comics: Javier Hernández’s El Muerto as an Allegory of Chicano
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“Brazilian Literature:
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“Los Angeles
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“Jaime
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“Instancias queer en Dos viejos pánicos de Virgilio Piñera.” Celebrando a Virgilio Piñera. Ed. Matías Montes Huidobro y Yara González Montes. Miami: Plaza
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“Ocultando
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Pontificia Universidad de Chile; Editorial Cuarto Propio, 2013. 281-93.
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la Argentina, siglo XXI.” Desde el sur
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“Enrique Pinti:
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“Hiding the Camera in Miguel
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“Horacio Coppola: The
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and Postmodern Hispanic Cultures. Ed. David R. Castillo and Bradley J.
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“El libro de
Mormon de Trey Parker, Robert Lopez y Matt Stone como comediamusical
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“La
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“The
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“Martín Fierro: The Image
of Colloquiality.” Hispanic Literatures and the Question of a Liberal Education.”
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“Queer
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“Two Photographic Interpretations
of the Bombing of the AMIA.” Cyberletras 25 (2011): 9pp. On-line: http://www/lehman.cuny.edu/ciberletras/v25/foster.htm
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35.1 (2010): 105-19.
“Contestando
la revolución.” La revolución congelada de Raymundo Gleyzer.” Revista
de crítica literaria latinoamericana No. 73 (2011): 173-81.
“Santidade,
una puesta de Zé Ceslo en el Teatro Oficina (São Paulo, 2007).” Teatro XXI
No. 28 (2009): 61-64.
“Is Luis
Cervantes Queer in Mariano Azuela's Los de abajo.” Romance Notes
50.1 (2010): 61-66.
“Mafalda:
Buenos Aires, años 60.” Revista iberoamericana 77.234 (2011): 235-40.
“Arte
chicano del pos-movimiento y el espacio urbano.” Congreso Internacional
Ciudades Latinoamericanas: la utopía intelectual en una geografía inestable - 11
y 12 de noviembre de 2009. Buenos Aires: Facultad de Filosofía y Letras,
Universidad de Buenos Aires, 2010. CD ROM 978-987-1450-97-8
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Congreso Internacional Ciudades Latinoamericanas: la utopía intelectual en
una geografía inestable - 11 y 12 de noviembre de 2009. Buenos Aires:
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“Films by Day and Films by Night
in São Paulo.” Latin American Cinemas: Local Views and Transnational
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“Narrativa
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literatura, cultura y arte 8 (Invierno 2010): 14-17.
“Cinco propuestas sobre la homofobia.” Arenas
blancas 11 (2010): 54-57. Expanded versión as “Cinco tesis sobre a
homofobia”. Poéticas da masculinidade em ruinas: o amor em
tempos de AIDS. Org.
Anselmo Peres Alós. Santa Maria, Rio Grande do Sul: PPGL, UNSM; Cnselho
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the Circle: Creating an Inclusive Environment in Higher Education for LGBTQ
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“Pedro Meyer: construir masculinidades, construir
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“Cambiar
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(septiembre 2010). No pag. Online:
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“Documenting Feminicide in
Juárez: Rhetorical Decisions in Lourdes Portillo's Señorita extraviada.”
Communication and Culture; Visual Representations of Human Rights in Latin
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“Charting the Labyrinth: País
de mentiras de Sara Sefchovich.” Cadernos de etudos culturais 2.3
(2010): 15-20.
“Truthful Misrepresentations:
Steve Benson Draws Phoenix.” Studies in American Humor new series 3.21
(2010): 29-45.
“Augusto Roa Bastos and Argentine
Film.” Postmodernism's Role in Latin American Literature: The Life and Work
of Augusto Roa Baastos. Ed. Helene Carol Weldt-Basson. New York: Palgrave
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“The Kioscos of Buenos Aires.” Sola luna, No. 2 (2010). No pag.
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“Borges and
Photography.” Desde el sur; revista de ciencias humanas y sociales de la
Universidad Científica del Sur 1.1 (2009): 97-108.
“Metafilmic
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4.2 (2009): 155-65. Also online version:
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“El
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30.1-2 (2009): 205-11.
“Mujer,
prostitución y modernidad en el México finisecular.” Magazine modernista;
revista digital 13 (noviembre 2009): no pag. Online
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“Phoenix in Guillermo Reyes's Places
to Touch Him.” Latin
American Theatre Review 43.1
(2009): 71-86.
“Un
hombre llamado Flor de Otoño, de Pedro Olea: etiología del maricón
tirabombas.” Territorio teatral No. 4 (julio 2009): no pag. Online
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“Of Gay Caballeros and Other
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visual: representações urbanas na América Latina. Ed. David William Foster and Denize Correa Araujo. Porto Alegre: editoraplus.com,
2009. 139-86. E-book online. Also Good Bandits, Warrior Women, and
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“Notas sobre
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discursos narrativos. Ed, Daniel Altamiranda and Esther Smith. Buenos
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“Ventanillas of Latino Miami.” Gazeta
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“España es ya un modelo para
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“El ídish en
el teatro argentino.” Teatro XXI 26 (2008): 26-30. Also in Arquivo
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“Madalena Schwartz: A Jewish
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“Phoenix, Say What? Urban
Landscapes in the Chronicles of Laurie Notaro.” Cuadernos de litertaura inglesa y norteamericana 11.1-2 (2008): 69-83.
“El estudio
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“Can You Get There on Van Buren?
Urban Flashes: Phoenix, Arizona.” Border-lines 2 (2008): 4-22.
“El
imperfectivo fatal.” Prometeus; revista de cultura 4.24 (2009): 3 pp. Online:
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“Las lolas
de la Coca: el cuerpo femenino en el cine de Isabel Sarli.” Karpa 2 (2008): 11 pages. Online:
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abbreviated version in Caras y caretas 47.2228 (nov. 2008): 68-69.
“Drawing São Paulo: The Graphic
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“Grandes mujeres de Gaby Messina:
fotografía y la tercera edad en la Argentina.” Homenaje a la profesora L.
Teresa Valdivieso: ensayos críticos. Newark, Del.: Juan de la Cuesta, 2007.
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“Intellectuals, Queer Culture,
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America's Southern Cone. Ed. Luis Martin-Estudillo and Roberto Ampuero.
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“Afterword.” Post-Authoritarian
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“Love, Passion, Metropolitan
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infarto del alma.” Latin American Urban Cultural Production. Ed.
David William Foster. Minneapolis: University of Minnesota, Hispanic Issues,
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“El estudio
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transdisciplina. Ed. Rossanna Cassugoli and Márgara Millán. México:
Univerisdad Nacional Autónoma de México, Facultad de Ciencias Políiticas y
Sociales, 2008. 175-92,
“Patricia Galvao: The Private
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“Algunos lo
prefieren caliente, otros lo prefieren queer.” Bagoas; etudios gays--gêneros
e sexualidades 1.1 (2007): 211-30.
“Lesbigay Publishing in Spain.” Hispania
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“Photography and Memory in
Marcelo Brodsky's Buena memoria.” Modern Jewish Studies [Yiddish]
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“Days and Nights at the Copan:
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“Towards Queering the Curriculum.”
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“Torcer lo
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“Sociohistorical, Gender, and Genre Contexts.” Crisis in Buenos Aires: Women Bearing Witness. Ed.
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“The Desert Noir Detective Novels
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online: http//rmmla.wsu.edu/ereview/61/1/articles/foster.asp
“Family Romance and Pathetic
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“The Feminization of Social Space
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“Escritura y
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“Relations between Queer Studies
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“Los
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“Annemarie Heinrich: Photography,
Women's Bodies, and Semiotic Excess.” Journal of Latin American Popular Culture 25 (2006): 253-70.
“Mulher e cinema na América
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“Homophobia in an Intercultural Context.” Ilha do
deserto 48 (Jan.-Jun. 2005): 135-55.
“Masculinidades argentinas: Hombres de Silvio
Fabrykant.” Arizona Journal of Hispanic Cultural Studies 9 (2005):
87-97.
“Toreros de
moda: la fotografía de Ruven Afanador.” Revista de estudios colombianos 29 (2006): 6-11.
Saudades do Brasil: Claude Lévi-Strauss's Photographic Gaze of the
City of São Paulo.” Chasqui, special issue no. 3 (2006): 98-125.
“Para ver el
Once, el Abasto y sus alrededores.” ¡Dale nomás! ¡Dale que va! Ensayos
testimoniales para la Argentina del siglo XXI: voces, ciudades y lenguajes.
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“Mexico.” La
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“Mário de Andrade: On Being São Paulo-wise in Paulicéia
desvairada.” Iberoamericana 19 (2005): 27-40.
“Out of the Barrio: Stella Pope
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171-79.
“Downtown in São Paulo with
Hildegard Rosenthal's Camera.” Luso-Brazilian
Review 42.1
(2005): 118-35. Also Revistat tecnología e sociedade 1 (2005): 41-58.
“Homosocialism <--->
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no pag. On line. Internet: 30/08/05 (http://www.dissidences/MarcosLopez.html)
“Retórica
teatral en Sacco y Vanzetti de Mauricio Kartun.” Aristas; revista de estudios e
investigaciones 2.2
(2004): 157-63.
“Trekking the Urban: Eduardo Emílio Fenianos's Expedições
Urbenauta; São Paulo, Uma Aventura Radical.” Studies in Latin American Popular Culture 24 (2005): 1-16.
“Recent Chicana/o Cultural
Criticism [review essay].” Latin
American Research Review 40.2
(2005): 166-75.
“La representación
del cuerpo queer en el teatro latinoamericano.” Latin American Theatre Review 38.1 (2004): 23-38.
“Recent Latin American Cultural
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revista de literatura latinoamericana 33.2 (2004): 157-68.
“Women's Society in Prison:
Adriana Lestido's Mujeres presas.” Journal of Latin American Urban
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“Rising to Demands: Argentine and
Brazilian Theatre.” Theater
Journal 56.3
(October 2004): 464-66.
“Género y
fotografía en Juchitán de las mujeres, de Graciela Iturbide.” Ámbitos;
revista de estudios de ciencias sociales y humanidades 2a época, No. 11
(2004): 63-69.
“El kitsch
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latinoamericana 8.18 (verano 2004): 79-101.
“Teatro
argentino - espacio urbano - visibilidad gay: postulaciones para una
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“Phoenix as Dystopia in Cherríe
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“Más allá de
la visibilidad gay en Buenos Aires.” Las ciudades latinoamericanas en el
nuevo [des]orden mundial. Ed. Patricio Navia and Marc Zimmerman. México:
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“El lenguaje
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(2004): 19-22.
“Mexican Originality: Mexican
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No. 53 (Winter 2004): 38-40.
“Dreaming in Feminine: Grete
Stern's Photomontages and the Parody of Psychoanalysis.” Ciberletras 10 (2003): 10 pages.
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“Queering Latin American Popular
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and Richard Young. London: Arnold; New York: Oxford University Press, 2003. 253-65.
“Eva Perón
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“Notas sobre
la dinámica de la homofobia.” Portales; Boletín del Colegio de Sonora 43
(2003): 6-7.
“Traducciones
de una historia de silencio: [Mallea] en lengua inglesa.” La nación
seccion 6: Cultura (10-VIII-2003): 5.
“Review
essay on Daniela Rossell, Ricas y famosas.” Studies in Latin American Popular Culture 32 (2003): 217-22.
“Defying the Masculinist Gaze:
Gabriela Liffschitz's Recursos humanos.” Chasqui 32.1 (May 2003): 10-24. Rtd., without images,
in Aletria; revista de estudos de literatura 10-11 (2003-2004): 91-106.
Trans. into Portuguese as “Desafio de um olhar masculino: Recursos humanos
por Gabriela Liffschitz.” Corpo & arte. Org. Wilton Garcia. São
Paulo: Nojosa Edições, 2005. 111-26.
“Arturo Ripstein's El lugar sin límites and the
Hell of Heteronormativity.” Violence and the Body. Ed. Arturo J. Aldama. Bloomington: Indiana UP, 2003. 375-88.
“De eso
no se habla: A Film of Queer Difference.” Revista canadiense de estudios
hispánicos 27.1 (2002): 177-92.
“Gabriel
Valansi: Neoliberal Nights in Buenos Aires.” Fisura; revista de literatura y
arte 1.3 (febrero 2003): 27-33. Also Significação; revista brasileira de
semiótica 18 (2002): 89-113. Also Memory, Oblivion, and Jewish Culture
in Latin America. Ed. Marjorie Agosin. Austin: U Texas P, 2005. 207-20.
“The
Argentine 1960s.” Works and Days 39-40 (2002): 119-41.
“En torno a
los géneros culturales.” Arrabal; Asociación Española de Estudios Literarios
Hispanoamericanos 4 (2002): 13-16.
“Luis
Alfaro: identidades sexuales y performance.” Itinerarios del teatro
latinoamericano. Ed. Osvaldo Pellettieri. Buenos Aires: Galerna/Facultad de
Filosofía y Letras (UBA), Fundación Roberto Arlt, 2002. 75-85. Also in Poéticas da diversidade.
Ed. Marli Fantini Scarpelli and Eduardo de Assis Duarte. Belo Horizonte:
Universidade Federal de Minas Gerias, Faculdade de Letras, Programa de
Pós-Graduação em Letras: Estudos Literários, 2002. 245-58.
“El pacto
homosocial en Convivencia, de Oscar Viale. Tendencias críticas en el
teatro. Ed. Osvaldo Pellettieri. Buenos Aires: Galerna/Facultad de
Filosofía y Letras (UBA), Fundación Roberto Arlt, 2001. 217-22.
“Consideraciones
sobre el estudio de la heteronormatividad en la literatura latinoamericana.” Letras
[Santa María, Brazil] 22 (2002): 49-53.
“Cultural
Studies and Sexual Ideologies.” ADFL Bulletin 33.3 (2002): 20-24.
“El gay como
modelo cultural: Eminent Maricones de Jaime Manrique.” Temas y
variaciones de literatura 17 (2001): 189-209. Also in Desde aceras
opuestas: literatura/gay y lesbiana en América Latina. Ed. Dieter Ingenschay. Frankfurt am Main: Vervuert; Madrid:
Iberoamericana, 2006. 119-38.
“The Homoerotic Diaspora in Latin America.” Latin American
Perspectives 29.2 (2002): 163-89.
“The Perils of Queering the
Curriculum.” CLAG
Newsletter 12.1
(2002): 7.
“Argentine Intellectuals and
Homoeroticism: Néstor Perlongher and Juan José Sebreli.” Hispania 84
(2001): 441-50.
“Other and Difference in Richard
Rodriguez's Hunger of Memory.” Postcolonial and Queer Theories;
Intersections and Essays. Ed. John C. Hawley. Westport, Conn.: Greenwood
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“John Rechy: Bodies and Souls and
the Homoeroticization of the Urban Quest.” Studies in 20th Century Literature 25.1 (Winter 2001): 196-209.
“La
teatralización de la masculinidad en Saverio el cruel.” Roberto Arlt:
dramaturgia y teatro independiente. Ed. Osvaldo Pellettieri. Buenos Aires:
Galerna/Fundación Roberto Arlt, 2000. 35-42.
“Erótica
lesbiana: unos ejemplos de la poesía de latinas.” Antípodas; Journal of Hispanic Studies 11-12
(1999/2000): 159-69.
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“Ambigüedad
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“The Demythification of Buenos
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“Hacia una
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“Tres
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“Roberto
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“Escritura de un cuento de Mario
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“Exocentric N[NN] Nouns in Spanish.” Orbis 25 (1976 [i.e.,
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“Bare Words and Naked Truths
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“A Survey of the Development of
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“Sonnet XIV of the Marqués de
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“The Modernistas of Brazil.” Books Abroad 41 (1967): 41‑42.
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“Some Formal Types in the Poetry
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“The Misunderstanding of Dante in
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